deep atmospheric house cut with jazzy chords and soulful vocals on the a side flip for a funky sh version with a great piano hook

more from planet e s >classics< series, with label boss carl craig alter ego, 69, the artist in question this time out. on the a-side you get a new mix of >sub seducer<, as well as classic 69 cut, >desire<. on the flip, >pungtang< finds it s way to vinyl for the first time, having been available only as a free flexi previously, and then carl shows he s not losing his touch with >pungtang 2<, a chunky variation on the original s driving detroit techno theme

luciano & tobias freund edit of n.s.i. s original track once again, cadenza comes on strong with a powerful and unconventional floor-filler, proving that >minimal< music neednt be a predictable affair of plug-ins, gratuitous reverb, and garish bit reduction. in its first limited-run, one-sided single, cadenza revisits last year s >max binski< ep from nsi (non standard institut)-the duo of tobias freund (pink elln, sieg Über die sonne) and max loderbauer (sun electric)-with a 13minute edit by freund and luciano. the edit takes >clara ghavami<, a sleeper cut off the b-side of the nsi ep, out of the isolation tank and into a crazy, heaving landscape of fluid shapes and odd angles. underpinning it all is an irresistible rhythm that s pure luciano-powered by a stuttering kick drum and some antennae-like, hypersyncopated squiggles, it pumps away like a legion of army ants, carrying exponentially more than its own weight

groove diggerz are back with the second release on even flow hot on the heels of big bad bruiser their original mix is a tuff yet easy going feelgood breaks cut lead by smooth synths and driven by a catchy bassline whilst precision cuts uses a more tech breaks style of percussion on the remix bringing more of a swinging feel to the track

the hottly tipped amazing new talent solid groove ( freerange ) under a new moniker with another energetic, afro-tinged mover as a-side cut. flip over for a driving funk edged tech-house and another percussive, dub infused track

limited 12inch !!!

zander vt are fritz zander and sven vt... their debut ep on memo is the distillation of their mutual love for deep techhouse and classic techno.. 13.03.2006

within the 9th collaboration, labelboss michael burkat welcomes belgian stephane signore. following on from the hugely succesfull releases on planet rhythm, rotaion and bound, stephane delivers with >seven sins< a grinding techno cut filled with sexy synth lines.. burkat himself delivers two tracks in his wont quality !!

title cut is already getting massive play from the likes of väth and aquaviva. resonant electrofied rhythms roll together as the melody snaps back and stabs at the mix. peak is heavy before the groove funk backs it up. electro house at it s finest. flip side is >mondo dingo<. making use of 3am timespot it is a sparse electronic house groove that blends techno like synthesizers from out of space with the solid back beat. trapez style track

this cut of quality glitchy house from lot 49 and underwater star metric (aka alex drury) in collaboration with bob standard (nick webb). …earning plays from dylan rhymes, adam freeland, meat katie, pmt, lee coombes, evil nine, elite force and hyper…

the man who along with long-time partner alan braxe has risen through the ranks to become one of the pivotal masterminds in the gallic house movement steps out alone for his debut release (albeit aptly assisted by fellow defender partner savage on the double-a side cut). the midtempo >omega man< opens proceedings and is clearly cut from the same cloth that linus loves used to fashion >the terrace< - a stevie nicks parody that will similarly be used as a musical bed for tv shows all year long. >wait for love< meanwhile is rich in parisian charm - filters set to maximum and compression on extra high - warm, melodic, simple and yet highly complex and distinctly french-sounding making this another bass throbbing must-have purchase

dubsided does it again with a techy, bottom heavy cut-up track. on the flip jesse rose mashes up a boogie cut and then closes this ep with a blissed out, rhodes driven downtempo cut

nice price deal !!! got to get away ep comes with 3 different mixes : the original house mix is a floor filler that will please the most difficult of crowds with its tough beats and ragga-influenced vocal thanks to the uplifting features of the young and talented californian reilly and london s big shotta.on the b-side, jam block s very own dj porky delivers an electro influenced, big room mix whereas play mo bitch crew serves an adam freeland-style remix, with groovy ragga break and beats. a dancefloor filling cut for sure, in the vain of bob sinclar s «zookey»

second outing by 3-chairs member marcellus pittman on omar s fxhe imprint with two more rough detroit gems: >obsession< is a midtempo paced cut in best detroit beatdown tradition with a minimal, bass-led groove, chirping sounds and jazz keys in the back while the flip boast a more energetic, sizzling riddim that builds and builds

nice price deal !!! w.a.n.a. is a fresh sounding electro-house cut which refers a lot to the sound of producers like dj t, marco passarani, francisco or even the hacker, cool electro spheres put on solid house beats. the b-side features a wicked mike monday remix, who has gained growing support over the last year with his great productions on freerange and his own label playtime with hits like which day is it?, tooting warrior or buttfunk. this remix has a mega dirty pumping bassline that leaves the floor in a devistated state especially after the climaxing break when the strings come in. a great rocker this one

another mighty step for unified sees chicago s mr. a.l.i. s latest single >imagine freedom< remixed by nyc heavyweight dj spinna. the results are a deep shelteresque house cut with spoken word vocals. also on the remix tip is chicagos glenn underground. 12inch includes instrumental on the spinna mix

nice release here from spains boa vista imprint and 3 high quality tracks on this one first up sonar 2000 is a haunting almost dark progger that builds up sweetly bright lights big titties is a jackin moody house cut and finally its jazz in da house which is just that

wicked electro breaks tune

massive filtered funky house anthem with a nice male vocal this will set the floors alight

dozzy turns life is wondersin a reduced techno anthem ,simply the perfect groove.. on the flip side agnes goes wild & dirty on it is cut.. endless spaced out house for the party freaks !

with this mad new 4 tracker by sound searcher james gibson aka (a)pendics shuffle (orac) mo’s ferry carry their highly individual artistic formula of putting a maximum of eccentric abstraction into a cut while keeping the floor pressure to the most extreme level. ruff cut-up 4/4 funk with brimming with uncounted itsy-bitsy sound particels, spooky mutilated voice cut-ups, butchered basslines sand blasted with gnarly bleeps and blops and a pinch of dark humor. unbending, unassimilated, uncorruptible and proud of it: mo s ferry are insistently carving their own niche in electronic music

huge akufen styled cut up tech track, plus a harder gene le fosse (cocoon recordings) remix !!!

combines many styles and is a true crossover record that will work on any floor, techno, house or minimal. the track has the same kind of hypnotizing feeling like a john tejada record but it developes more towards a strong electro cut with its hitting snare and open structure. on the flip >man of the moment< andré kraml tears it up and puts down a solid groover. with his typical dense production and use of crazy samples and sounds it gets its own style we know from his great records he released last year on >crosstownrebels< and >firm<

as with typical of voltmusik releases the old man sorrow idea began in 2002, and was finally cut in 2005 ! old man sorrow is a trip back in time , deep, soulful music for the head ! a tribute to the old disco style coming in at unhurried 120 bpm with bluesy vocals, warm, sweeping grand piano chords and melancholic string-filled breakdowns this was drawn right from the foundation of dance music by brun ( swayzak ) with the help roger 23 and kenny paterson. forget minimal house its boring

drain is build around a thick skankin, percussive riddim joined by a phletora of exotic chirping sounds, haunting chorus bits and dirty laughter resulting in a mystic, slightly scary atmosphere: a true voodoo funker. flip over for a deeper ride with hypnotizing cut-up vocals and thick chords that will push you along up to the grand finale were the beat picks up and intensifies. comatizing dope on wax for ya dj box

moderner cut up electro styled tech house

builds with a warm bouncing bassline wrapped in snares and gentle percussive textuires. highly infectious melodies lie on an bed of shimmering atmospheres combining with a driving click beat and deep subbass to complete this balmy uptempo dancefloor cut

with this twelve alex really explores the parameters of his unique sound and delivers three club killers. the ep begins with the anthemic titti , here he builds a relentless, driving groove with a penetrating bassline and scuzzy melody. next is tv is pish a demented discoid cut-up that freaks irresistably. the pulsing slippers & slappers growls this superb ep to its conclusion

the a side is an epic hard techno journey with its long snarling intro before dropping into a sledgehammer like driving track before breaking again into what can only be described as a riff straight from hell. if you have enough energy left turn to the flip where you have a very clinical deeper, groovier cut with swirling synths and lots of atmosphere. its not that often that a super fresh piece of techno like this comes along so dont miss out. massive support from adam beyer, chris liebing and christian smith

strong new electro house release by majestic on palace recordings moving straight to the dancefloor with some big synth riffs fdlip for a deeper dark chocolate cut (sb)

house funky vocal house cut backed with a great broken beat flip for a dark greg churchill remix (sb)

huge slice of dirty twisted house music with a striking vocal hook. the flip flashbackis a meaty beat led house cut with twisted loops and plenty of attitude

nice deep and funky cut with great synth lines plus a drum track !!!

after driving floors insane with 'rumble punk' (orson005), orson delivers this monster as a follow up. enlisting the remix talents of espion, swayzak and bangkok impact, transparent sound have ensured you receive a four-track ep of tech diversity à club play: craig richards, tiga, andrew weatherall, geoffrey aka mugwump, radioactive man, hyper, miss kittin, billy nasty.

excellent selected advanced techhouse electro minimal tracks! incl elektrochemie, motion 040, tomas barford, afrilounge, claude van stroke (dirtybird), einzelkind, tying tiffany, voltique...

peaktime funky electro house tracks very scratchy and very ass kickin a side plus a deeper atmospheric cut by dj erdmann tip (sb)

super schöne melodische funky minimal platte !! magda: nice cut up funk! , tobi neumann: ganz schöne minimale verspielte deepe platte. a2 ist super!

first 'love': a killer deep minimal groovy tune with a poppy synth line that just stays into your head forever… followed by reynold's remix (half of duplex100 and trenton’s owner). on b side 'sex' is just this outstanding electro tech house track, definitely the dance-floor treat of that record! it is fat. it grooves and drives… finally 'psychic kids' could actually be a dance remix of a boards of canadas tune… a very strange and atmospheric cut to end a set… or to start it ?

'voyager' perfectly takes you through different phases of tension and release starting with a irresistible build-up where just the distortion of a simple chord raises the electricity topped for even more intensity by frantic hi-hat action in jazz-drumming style. for 'sucre' he teams up once again with qzen who already refined 'sweat' on pokerflat and 'paranoia' (palette034) and gives another alluring performance with understated, teasing spoken words over this gliding, liquid cut. whos the sugar daddy now?

classic steve stoll three track ep

three new cuts on this second release by siskid. a dancefloor trasher, a minimal fairytale and a dry and acid cut make for siskids blasting return to initial cuts! , already played by chloé & michael mayer

tribal supported progressive track on a side flip for a more funky house music cut with cool 303 sounds (sb)

coming stateside with this very freakish/dlc-styled track, a perfect pairing for select imprint. the original i dont laa features a rubbery euro/german bassline with some diz-like vocals and cut-up clicky electronic drums - sleazy, greasy stuff thatll appeal to a nice range of electro-house djs. remixes come fromthe midas alums honest cars who turn in a gritty, rock-flavored electro-pop that could fit nicely in with the angrosso/prydz fans, and freak-meister himself luke solomon who completely flips the vocal over a buzzing and burbling acid backing track. mental gear for only the most twisted dancefloor sessions here

time for school this is about the evolution of the house beats explained on this tribal house cut with a simon & shaker mix on the flip (sb)

breathtakingly ahead-of-its-time electronic disco from 1979 produced by one third of telex, transvolta's disco computer features one the most amazing combinations of synthesized bass and vocoded vocals ever committed to vinyl!!! an lp only cut, east walls privacy is a stunning italo / industrial number with incredible strings that give it an almost classic detroit techno feel

berlin minimal house hero dave dk (highgrade, television, mÜller, tresor, raum...musik and many more) delivers 2 tracks of utter funkiness with his trademark digitised yet warm ultra funk sound. 'jus suckas' starts with bouncy bass joining forces with squirts of cut-up style percussion rumbling its way before the chord stylee strings attack with added sample-vox. great groover we say. 'this is not a problem' goes more sinister and dark afterhours with rolling bass and machine style groove and which makes you wanna drop that **** before dominating synth lines hits the g-spot and you are already teleported to another level. hott

excellent funky houser by this talented danish two great mixes by beatchuggers and raoul who comes with a deep electro house cut (sb)

progressive very balearic sounding deep vocal cut to guide you through the night with this nice female whispers (sb)

fast drum n bass cut for grand master flashs the message plus a soulful blue cantral vs ashanti cut(sb)